Tristan Bath
Despite mostly comprising abstract beeps and buzzes, this performance feels distinctly delicate and sensitive. I'm not into ASMR, but the way you guys shape the physical space had me buzzing too.
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supported by 11 fans who also own “Live at La Vitrola, Montreal January 2018”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 11 fans who also own “Live at La Vitrola, Montreal January 2018”
With the entanglement and interaction of noise and musical tone, we seem to have traveled through the jungle infested by ghosts, and witnessed a new universe being reborn in this strange chaos and harmony. Through this recording, Jim O’Rourke reconstructed the order of sound in a sense. alain.proust